Sunday, 18 December 2011

खबर फ़िल्मी है (P.R.O.News),


Dilli ki Billi Shaurya Chauhaan gets into a catfight with hero in Sadda Adda


This Chandigarh born Dilli ki Billi actress is known for her bold attitude and even language in real life. In reel life, when Shaurya Chauhan had a catfight with her hero Karanveer Sharma, everyone around thought that she will not be able to enact romantic scenes with him. But the talented actress proved everyone wrong. She patched up immediately and surprised everyone who was expected a rough run canning the shot. In fact she gave one of the best effortless shots for the film.

Director Muazzem Beg says, “Shaurya Chauhaan and Karanveer Sharma are both very passionate and intense in their delivery. When they had a creative difference over a particular shot, it literally became a catfight. And we were all very worried because the next shot was a romantic one. But Shaurya changed colours like a chameleon in front of the camera and gave an effortless shot. If you hadn’t seen the catfight, you would have felt that Shaurya loves Karanveer eternally like his soul mate.”

Scintillating Shaurya, who was born in Chandigarh and grew up in Hyderabad, has spent quite a lot of time in Capital and is quite at ease in this film, which is set in the backdrop of our capital city- Delhi. She plays a significant role (you can call it a shocker) in a story where six boys from different states come together to share a two BHK apartment in a middle-class colony, which they lovingly call "Sadda Adda". Shaurya loves this story about how six bachelors, with completely different backgrounds and personalities, live together.

Dare-to-bare girl Shaurya Chauhan has already wooed controversy not just by experimenting vividly with her roles, which range from lead and character oriented to some sizzling item numbers, but also by her nude photoshoot. She became the face of a shoe brand and the advertisement showcased her in the most sensuous avatar oozing out oodles of sexuality by draping nothing except a thin cloth.
  
Comments Shaurya, “Belonging to army family, I have been to Delhi so many times before and thought that I knew the city.  In fact, my brother lives in Delhi but this time I realised that I was seeing the real Delhi for the first time. From Janpath to Kutubminar to Chandichok to Khan Market... Sarojini Nagar to Metro. God, its bizarre.. People with so many colours, Tourists and all this in just two days of my shooting for mod art international Paris. Since I was shooting a documentary film for them, which required me to walk on streets, pose in teeny-weeny clothes oh God it was hilarious,” and goes on to add, “I remember we were shooting at paranthewali gali....and we turn and see everywhere people gathered around us and me in this short dress...But we went on with the shoot inspite of all ogling at me and then I went on to eat paranthas there with my whole crew,” she giggles.

Shaurya Chauhaan’s first film was Mumbai Salsaa, while her second Horn Ok Pleassss… is waiting in the wings. She has signed 3 film contract with Zoom, has done an item song with Arjun Rampal & Mika and has two international ads in her pocket. Comments she, “I loved doing the ad of L’Oreal. It was a déjà vu for my experience during the ad shoot of kingfisher calendar.”

Shaurya, the diva, has the following TVCs to her credit - Fair & Handsome, Ford Fiesta, Capris (Pakistan), Dove, Godrej, Hero Honda,  Kaya, Fanta,  Nalli Silks, and Chennai Silks (imagine her in a saree!). Her print campaigns include Kingfisher Calendar model 06-07, L’O real face 2009, Tresmode Campaign, Pantaloon, Kaya Skin Clinic and Dove Hair Shampoo. The gorgeous girl also loves gardening and gymnastics. She is comfy in her pair of black satin pumps, Yoga pants, flats and loves writing about her travels and experiences.




Picture N Kraft - PR

Saturday, 17 December 2011

खबर फ़िल्मी है (P.R.O.News),


      Singh plays Royal Business tycoon in Hollywood film The American Gandhi




While the talks are on about Anil Kapoor doing a cameo in Mission Impossible -4, we have actor Surendra Singh who is doing a parallel lead with grey shades in another Hollywood flick ‘The American Gandhi’.

At 6 feet 3 inches Surendra Singh has given many of our Bollywood actors a complex. He is playing the ruthless character of a Royal Business Tycoon RANA in his first Hollywood film titled ‘The American Gandhi’. Currently under production and directed by Joseph Mungra, its main leads are Surendra Singh and Hollywood actor James Patrick Stuart. “I am really enjoying the film. I am a billionaire in the film and have my own mining fields. It’s a grey character and to get under the skin of it, I have played with my looks. But most interesting part is where I showcase the life style of Indian Royalties to the western audience.”
Surendra has earlier done pivotal characters in the films like Asambhav, Line of Control and Veer. He has been seen on the covers of magazines like Health & Man’s World.

वो मेरी पहली शूटिंग (shooting Story)

                            तब स्पॉट बॉय ने भी मुझे तंग किया था : के.के.गोस्वामी


           


मेरी पहली फिल्म थी भोजपुरी भाषा की 'रखिह लाज अचरवा के' जो 1996 में रिलीज हुई थी. इसके निर्देशक थे कुमार विमल. इस फिल्म की शूटिंग 1992 में हुई थी.
       जब बिहार में मैं अपना खुद का गोस्वामी फोटो स्टूडियो चलाता था, तब एक दिन फोटो बनवाने के सिलसिले में मैं मुजफ्फरपुर शहर गया, जहाँ मेरी मुलाक़ात निर्देशक कुमार विमल जी से हो गयी. उन्होंने मुझे तुरंत अपनी भोजपुरी फिल्म में ऑफर दे दिया और शूटिंग के लिए मुझे हाजीपुर बुलाया. अचानक मिले इस ऑफर से मैं बिलकुल भी नर्वस नहीं था क्यूंकि मैंने थियेटर किया हुआ था. बहुत एकसाईटमेंट थी कि अब मैं हीरो बन जाऊंगा, फिल्म के रिलीज के बाद उन सबको जवाब मिल जायेगा जो मेरा मजाक उड़ाया करते थे. उस वक़्त भोजपुरी फिल्मों में कुणाल जी का दौर था. मैं ये सोचने लगा कि इस फिल्म के बाद मैं भी उनके लेबल का हीरो बन जाऊंगा. शूटिंग पर निकलने से पहले मैंने भगवान की खूब पूजा की, बहुत अगरबत्तियां जलायीं.
               तब फिल्म की पूरी टीम हाजीपुर के 'शीश महल' होटल में ठहरी हुई थी. मैं जब पहुंचा तो वहाँ मौजूद स्पॉट बॉय को मैंने सीनियर समझकर बात किया. लेकिन उसने मेरी क्लास लेनी शुरू कर दी और टेप-रेकॉर्डर चालू कर ' ए हवा.....'  गाने पर मुझे घंटों नचवाया. फिल्म के  असिस्टेंट डायरेक्टर भी मेरी बेचारगी का लुत्फ़ लेते रहे. लेकिन जब अभिनेता विजय खरे जी के भतीजे ने यह सब देखा तो उन्होंने मुझे बचाया और फिर पूरी टीम से मेरा परिचय करवाया. उसके बाद सबका व्यवहार मेरे साथ सहयोगात्मक हो गया.
            फिल्म की शूटिंग हाजीपुर में ही केले के बगीचे में शुरू हुई. फिल्म के हीरो थे गोपाल राय जो तांगेवाले का किरदार निभा रहे थे और मैं उनका भतीजा सह असिस्टेंट की भूमिका में था. मेरे किरदार का नाम खालिलवा था जो हकलाता भी था. शूटिंग के दिन तो मेरी भूख ही मर गयी थी. पहले शॉट के वक़्त मैं काफी डरा हुआ था. ऊपर से गोपाल जी के लोगों ने मुझे यह कहकर डरा दिया कि " अगर टमटम छोड़ दिया......और घोड़ा हिरोईन को लेकर भाग गया तो क्या होगा...? " लेकिन फिर भी हिम्मत करके मैंने पहला शॉट दिया जो पहले ही टेक में ओके हो गया. मेरे पहले शॉट में ताली भी बजी थी. फिल्म की शूटिंग लगातार 15 दिनों तक चलनेवाली थी. चूँकि मैं घर से बिना बताये यहाँ आ गया था इसलिए घरवालों को इसकी सूचना मैंने बाद में भिजवा दी. फिर क्या था, पिता जी मुझे ढूंढ़ते-ढूंढ़ते शीशमहल होटल पहुँच गए. मैंने पिता जी को समझाकर घर भेज दिया कि अब आपका बेटा हीरो बन गया है. 
                शूटिंग ख़त्म होने पर लौटते समय मुझे महज 15 रुपये ही मिले, पर मेरे लिए तब वो लाखों के बराबर थे. घर पहुंचकर मैंने अपने नोटबुक में वो 15 रूपए बतौर यादगार कई दिनों तक संभाल कर रखें.  अपनी पहली फिल्म की शूटिंग के वो यादगार पल मैं कभी भूल ही नहीं सकता.

प्रस्तुति : राकेश सिंह 'सोनू'

हफ्ते की हलचल (Launch and etc)

                      Poonam Jhawar at the inauguration of beauty salon 'Its all about you
                                                 Poonam Jhanver & Ranjeeta Singh

दिनांक 15 दिसम्बर 2011 को फिल्म अभिनेत्री पूनम झांवर द्वारा एक नए ब्यूटी सैलून "इट्स आल अबाउट यू" का उद्घाटन किया गया. ओम अपार्टमेन्ट, फेम एडलब के पीछे मौजूद इस ब्यूटी सैलून में केक  काटकर इस समारोह का जश्न मनाया गया, फिल्म इंडस्ट्री और मीडिया के कई उल्लेखनीय व्यक्ति मौजूद थे. इस ब्यूटी सैलून की मालकिन कुमारी रंजीता सिंह ने कहा कि यह उनका पहला प्रयास है जिसके उपरांत वे बान्द्रा व अन्य जगह पर भी अपनी शाखा की शुरुआत करेंगी. 

                                           Poonam Jhanver & Ranjeeta Singh. cutting cake

Monday, 12 December 2011

संपर्क करें (contact us)

Bollywood mausam
Mumbai, Maharastra,India

Mr.Rakesh singh 'sonu' 

Mobile No:
+91-9967783318
            
       
Website  :www.bollywoodmausam.blogspot.com

Email    :bollywoodmausam@gmail.com

अपने बारे में (About Us)



Rakesh singh'sonu' introducing Bollywood online news site named "Bollywood Mausam".
This is free news portal for movie lovers people. It gives you an entertaining bollywood news and
celebrities articles which hardly touch your heart. Give your fair support to www.bollywoodmausam.com.
The Bollywood mausam was founded in  december of 2011 by Rakesh singh 'sonu'.




You can find important information from movies --
film review (movie report card), interview(gufatagu),stars memorable moments(jab hum jawan they),
film & music launching , first look,events(hafte ki hulchal), shooting story (woh meri pehli shooting), hot photo gallery (hay yeh ada), New talent (Nayi Udaan), pro news (khabar filmi hai),TV news (chhota parda), bhojpuri film (bhojpuriya mati),....and much more, on Bollywood mausam

हफ्ते की हलचल (Launch and etc)

Muhurat of Film 'Mr. Money'

Muhurat of Film “Mr. Money” was held at the JW Marriott on December 7th. The highlight of the event was Krushna Abhishek the lead star of the film came zooming in the Enigma on a Harley Davidson Night Rod Bike, after which the Producers of the film Sunil Gulani & Anand Gupta went on the stage and lit the auspicious lamp.
Then the veteran comedian Asrani went on stage and performed a skit from the film in his own inimitable way and was joined was joined in a dramatic way by the lead protagonist Krushna Abhishek & sweet suave & sophisticated girl who is being introduced in bollywood through this film “Mr. Money” Lovely Noronha joined him and created a stir,
Krushna Abhishek then called on stage his father and his well wisher Kashmera Shah and they were joined by debut director Rikshhit Matta & others from the starcast  Manoj Joshi, Eva Grover, Upasana Singh, it was a very colorful exciting and classy beginning of the film.

culture creations - PR 

हाय ये अदा (Hot Photo)


                                    यास्मीन खान और रिम्पा तिवारी का लेस्बियन फोटो शूट






हाय ये अदा (Hot Photo),

                                    पूनम पांडे का एक और कातिलाना अंदाज़










छोटा पर्द (TV News)

                                              Zee Classic presents 'Classic Legends'


                     Javed Akhtar with Mohan Gopinath, Business Head of Zee Cinema

Mumbai, Friday, November 25: When you are as crazy about the greatest Hindi films ever made as we are; when you eat, breathe and dream movies, and all you think of are the best movies ever made in the Hindi film industry, Zee Classic is your one-stop-destination for experiencing the golden era of Hindi Cinema. Being India's only classic Hindi movie channel, Zee Classic boasts of the largest library of digitally re-mastered classic movies with over 500 exclusive titles. Zee Classic encapsulates the ‘Evergreen Age’ of Indian Hindi Cinema which ranges from 1940 to 1970.
It has been Zee Classic’s endeavour to not only show movies of this wonderful era, but to also acquaint the lovers of Hindi cinema with the people who shone so brightly and made this industry what it is. ‘Classic Legends’ is such an initiative on Zee Classic, where we familiarise the lovers of cinema with the brightest luminaries of the industry. We have now taken a step forward in this initiative and are bringing to our viewers “Classic Legends” with a person who is himself a legend, who has himself done stellar work and received global recognition, Mr. Javed Akhtar. Zee Classic proudly presents ‘Classic Legends’ with master storyteller Javed Akhtar as the host. Premiering at 7.30 PM on Sunday, December 11, Zee Classic brings you the stories behind the faces of this Evergreen Age of Hindi cinema on ‘Classic Legends’.
It’s a guided biography by Javed Akhtar of men and women who gave the industry some of its most celebrated iconic movies and music! Over a period of 13 weeks, the show will feature a different legend - actors, directors, writers, musicians and lyricists - every Sunday evening. It will showcase the works of thirteen of the most admired and respected legends namely, Raj Kapoor, R D Burman, Majrooh Sultanpuri, Kishore Kumar, Nargis, Bimal Roy, Vijay Anand, Ashok Kumar, Sahir Ludhiyanvi, Mehboob Khan, Madhubala, Guru Dutt and Shammi Kapoor! Drawing from his vast personal and professional experience in the industry, he will take viewers on a journey through the lives and vast expanse of work of these legends that have brought Indian cinema to the point at which it stands today. Viewers will learn more about the lives of these yesteryear heroes by the person who has had the good fortune of following these legends’ work extremely closely. Such a treat has never been offered to viewers before.
"Given the decades that I have spent in this erstwhile film industry and the talented creative minds that I have had the good fortune of meeting and learning from, it is only fitting that I pay a tribute to the personalities with whom I have come to greatly admire over the years. While there are many movie channels on air, it is only through Zee Classic that today’s generation will ever be acquainted with the glorious classics of decades gone by. Hence, it gives me great pleasure to host ‘Classic Legends’,” said Javed Akhtar about his role in the show.
Talking about ‘Classic Legends’, Mohan Gopinath, Business Head, Zee Cinema PAC says, “There are many shows which talk about the current lot of actors and directors in the industry. And while some dialogues or songs from certain films of the black and white era may be popular among the masses, not many know anything about the people behind those iconic works. ‘Classic Legends’ will introduce people to the creative geniuses in the background from the Evergreen Era. People tend to forget the legends of the past, and through our content on Zee Classic, it’s our endeavour/mission to ensure that we strive in our very own small way to see that they remain immortal forever.
“When a show talks about the founding fathers of Indian Cinema, it is but only fitting that we have an equally gifted and legendary persona with us to share their story with our viewers. Listening to Javedji’s  anecdotes on each legend reveals so many unknown facts about each of them. Along with our collection of films, we believe in giving all Zee Classic viewers a truly magical experience of ‘Bemisaal daur, Bemisaal filmein’!” he adds.
‘Classic Legends’ will cover all those who have left indelible footprints into the collective memories of an enchanted nation! Rich with movie trivia and behind the scenes information, it promises to take film lovers into the world behind the camera and showcase the lives of those who were creators and architects of this film industry. Watch ‘Classic Legends’ with Javed Akhtar, every Sunday starting from December 11, at 7.30 PM only on Zee Classic-‘Bemisaal Daur...Bemisaal Filmein’!
About Zee Classic
Launched in April 2004, Zee Classic is India's only classic Hindi movie channel from the bouquet of channels that are a part of Zee Entertainment Enterprises Ltd’s Zee Cinema PAC. It has the largest library of digitally re-mastered classic Hindi movies with over 500 exclusive titles from 1940 to 1970. Classics like Awara, Mother India, Shree 420  and the best works of legends like Raj Kapoor, Kishore Kumar, SD Burman, Guru Dutt amongst many others are just a few in Zee Classics’ vast library. Zee Classic encapsulates the ‘Evergreen Age’ of Indian Hindi Cinema and its tagline is ‘Bemisaal Daur...Bemisaal Filmein’!
Sancha Noranho - PR

गुफ्तगू (Interview)

                                          Maneesh is a mad director : Anushka Sharma   





Q. From the successful Band Baaja Baaraat to Ladies vs. Ricky Bahl…how has the success journey been?
Yaar, kabhi jab main dekhti hun ki yeh film Band Baaja Baaraat itni badi success hogi ya hume itna pyaar milega tho sochti hoon ye kissi one man show nahi tha - I think everyone’s work has been appreciated on this film. I think somewhere as a team we were trying to do that. Jab hum bana rahe the iss film ko, energies were real good. It was a young team –and everybody was there to prove themselves toh hum log ek film bana rahe the hum sab logon ko script se pyaar tha hum sab logon ko un characters se pyaar tha aur hum ek film bana rahein hain Band Baaja Baaraat, lekin ab jab main sochti hoon hume nahi laga tha ki hum successful film banana ja rahein hain ya dekho ki main aisse performance karungi iss film mein ya Director Maneesh  ne soocha ki meri pehli film mein main dikha dunga sabko ki main zabardast director hun. Kissi ka attitude aisa nahi tha, sab logon ko film acchi lagi and we stayed true to the subject so a film like Band Baaja Baaraat came about and I think koi bhi jo successful films rahi hain ab tak, I don’t think makers, filmmakers, actors, technicians have ever thought that we are going to turn this into a blockbuster we are going to turn this into a cult film. Aisa soch ke aap films nahi bana sakte. You just make films with a clean heart, you make films because you are in love with those scripts, you make films because you are in love with the characters and you make them and then a Band Baaja Baaraat is created!
Q. When the shoot of Ladies vs. Ricky Bahl began, BBB was still running in theatres and the experience of working on BBB was still fresh in your mind-what did you feel when you were offered LVRB with the same team (except for the three ladies) the technicians and the core team, you and Ranveer are the same so what did you feel when you got this film?See because I know Director Maneesh you know, I knew that when he is going to set out to make another film right after BBB mujhe itna pata tha that he is not going to make something even close to or similar to BBB and I knew that. So when I read the script of LVRB I was like see I knew this - he is not going to make another BBB. This film is the opposite of BBB and yet there are some moments which make you feel reminiscent of BBB but in such a different environment, in such a different space with two very different characters and you know they are very different from Bittoo and Shruti but at the same time the situation might remind you of something but the environment, the body language and the way the characters are speaking - the way Director Maneesh is taking the shots, it completely changes the whole thing so I think ki disadvantage or advantage or I don’t know what you want to call it hai being that  BBB is like a monkey on our backs right now or for everyone who is expecting a BBB. So if people are coming to watch BBB they are not going to watch BBB - they are watching a very different film, a very good film and exciting film, a very stylized film and a film which has intelligence yet it has emotions and a lot of freshness because of the three girls in the film jo sabki I think sabki almost pehli film hai and I think aise three faces hain jo kabhi dekhe nahi hain which has added so much of freshness to this film and then of course there is me and Ranveer but poora jod ke ye ek cast ensemble hai.  Yeh technicians aur ye saari team jo assemble hui hai it’s the same almost but with a very different film this time - yeh maine expect kiya tha Director Maneesh se ki he is not going to do the same thing and yeh he hua and I think we have made a good film!
Q. Tell us about your character Ishika?I think maine ek baat jo identify kari is character ke saath woh ye thi ki jab you know when a girl lives alone in a city like Mumbai or in a city like Bangalore or Delhi you naturally develop a sense of independence, a sense of you know you start to guard your surroundings and you guard yourself. You shield yourself very well and you become street smart. I think that always almost happens and it’s a very natural progression so even if you come from a protected family and if you are living alone in Bombay you will become a strong girl who needs to take care of herself in a very positive way so I think this is what for me Ishika is. Ishika is a very strong girl and she is very intelligent girl and an adventurous girl. She loves life and she seeks pleasure in life and at the same time she has her head on her shoulders and she is carefully guarding herself. She is street smart, quirky and intelligent and I think these qualities make her very relatable - like a lot of girls will be able to relate to Ishika.
Q. How did you prepare for your character - did you go through a process of readings with director Maneesh Sharma and with Habib Faisal?After working with director Maneesh on the first film and with Habib sir I would like to surrender myself to these two people because they are very good at what they do and I think most of my energy as a performer comes from Maneesh and Habib so you know when we do readings they’ll ask me to say lines in a certain way and most of the time we are all on the same page but there is always this extra direction that comes from director Maneesh  which are these little nuances that he tries to add in characters that I fully trust so there was preparation but the preparation was almost like an activity that we all you know did together and this was for the first time in my life ever that I have been a part of workshops before a film. Atul Mongia (Acting Workshop Director) was there and actually the idea was that director Maneesh was just having a workshop with the three girls and I just said yaar why don’t you include me, let me also come for the workshops and I actually realized that it really helped because it broke those barriers that we might have had you know, it was like 5 people in a film so it broke those barriers and we got more comfortable with each other through those workshops and understood the characters better. Also when you are studying so many different characters together you can easily demarcate ki yeh aisa hoga aur yeh aisa hoga verna there can be some similarities that can come in but when you are developing the characters together as a team with the involvement of Atul Mongia, director Maneesh and all the actors then it really adds those different dimensions to each character which was very helpful to make everyone look so distinct in the film.
Q. How was it working with the 3 Ladies?
The first thing that I feel is that every girl has been cast for this film so correctly that I don’t think you could have had a better cast. The way they are in their real life, the way they carry themselves and their demeanor is very similar to the reel characters like Aditi Sharma is playing a girl from Lucknow so she has that little tehzeeb in the way she talks. Usko waise bhi aap miloge kabhi toh who bahut tameez se baat karti, bahut aaram se baat karti hai…who ji bol ke baat karti hai aur who yeh film mein bhi kar rahi hai. I feel like yeh sab real log lag rahe the film ke andar. Dipannita Sharma - Dipannita is someone who is very poised she has been a super model and she is so tall and so stunning. She holds on to a certain authority and you can’t mess around with her. She is someone who doesn’t take nonsense and that’s Dipannita in real life and that’s Dipannita in the film when she plays Raina. Parineeti Chopra - plays Dimple. We kept calling her ‘alhurd’ and in real life also she is like that. She is very full of life and that’s what she plays in the film. So I think these people have been cast so accurately for the film and I don’t see anybody else who could have played these characters and acting with them just became so easy because like mere kuch experiences hain unke sung jo off camera hote the wohi experiences we were seeing while the film was happening also and I think you can feel that on an actor’s level ye ek subconscious level pe ek feeling hoti hai toh unko main observe karti thi even off camera like I used to keep observing them and thinking yaar this is working so well because the reactions to them used to be so real you know and so I think it’s a great mix. I really feel I may be wrong but mujhe ek level pe lagta hai ki all the girls ka experiences gets put into this one ladki so there is a Dimple in Ishika, there is a Raina in Ishika and there is a Saira in Ishika. I think somewhere you know you live these things and director Maneesh ne mujhe ek baar kaha bhi tha ki who un nuances ko add karne ki koshish bhi kar raha tha and its come out really well. So yes I think the ladies are very well cast.
Q. Tell us about some memorable moments with the 3 Ladies while shooting Ladies vs. Ricky Bahl.
Mere sung aisa pehli baar hua hai ki mujhe itne saare actors ke sung act karna pada hai aur maine kabhi bhi aisa film nahi kiya hai jahan pe ek scene ho raha hai jisme 4 actors involved hain. Main Ranveer ko hamesha bolti thi you know when he used to say mere sabse zaada looks hain mera yeh hai mera who hai, main kehti thi zyada mat bol - I have to act with three actors because you see Ranveer alag alag episode mein aata hai aur ek bar ek ladki ke saath hi hai but I am sort of like the person jo yahan bhi hai aur vahan bhi hai that’s why there are three ladies, there is one Ricky Bahl and there is one v/s and this versus is the conflict which is with Ricky Bahl. When I used to be with the girls ek samay pe pehli baar toh ajeeb lagta tha ki teen log baat kar rahein hain kis kisko reactions do so woh bahut funny hota tha! Humne jab hamari workshop kari thi tab maine decide kar liya tha mera attitude har insaan ke saath kaise hoga. So with Raina there is a little bit of like kyonki who authority mangti hai so there is a little bit of respect for her - she is a thinking person in that group. Then there is Saira she is someone jisko aapko kabhi gussa nahi aa sakta, she will always be like someone who will hold things together and she will always keep things together - she is that girl, toh uske saath hamesha ek hum kya bolte hain mein polite thi is character ke saath. Dimple is someone who is always getting into the face of people you know, she is a spoilt kid and there is always ek undercurrent raha hai uske aur mere beech mein because of her relationship with Ricky. So Dimple was someone who used to keep talking and everybody was like okay Dimple fine theek hai haan now lets move on to this topic. There was Raina who is instructing and Saira who was the calming force. I think we have just developed like mera sabke saath ek relationship tha. Har character ke saath there was a different level on which Ishika was interacting. The three characters of these girls are so different from each other you know so for me I think as an actor I have never done a film in which mujhe itne saare actors ke sung perform karna pada - alag alag characters ke saath so mere liye bahut bada learning experience tha yeh.
Q. How was it working with Ranveer in Band Baaja Baaraat vs. Ranveer in Ladies vs. Ricky Bahl?I think Ranveer has relaxed a lot as an actor since BBB. I think me and Ranveer have over the past two years have also known each other better even on a personal level as friends so you know there is a little bit of understanding that we have for each other - jo maine kissi aur ke sung experience nahi kiya hai because Ranveer is the hero with whom I have worked more than once so mujhe pata hai who scene ko kaise approach karega aur usko pata hai main scene ko kaise approach karungi toh hamari ek yeh understanding hai without talking to each other, understanding baan jati hai and because hum log itne different hain as people and the way we approach scenes - that creates a very nice energy you know in a scene. Abhi bhi wohi baat hai ki woh zyada rehearsal karta hai main zyada rehearsal nahi karti hun and director Maneesh ko uske sung rehearsal karni padti hai yeh toh abhi bhi chalta hai but I think pehle kya hota tha hum ek doosre se irritate ho jaate the during BBB ki yeh kaise karta hai. Like yeh kaise matlab … how does he work and he is thinking yeh kaisi karti hai so there was that thing (laughs). Today we have understood that yeh aise karta hai accha yeh aise karti hai so you know we have developed that understanding of each other as actors jo pehle hum dono ko may be nervousness thi. BBB was a difficult film for both of us and I guess that anxiety and nervousness was too much but today we are more relaxed and I think we have worked better as a team in this film than in the last. So Ranveer and me have this certain undefined chemistry which even I don’t understand you know but its there and I think most of the time it happens because of the writing. Iss bar the chemistry is there in body language, its there with silence and its there with reactions- when you will watch the film you will understand but its more in silent moments and its more in reactions so that in a very nice way…that’s the main difference between working with Ranveer in Band Baaja Baaraat vs. Ranveer in Ladies vs. Ricky Bahl.
Q. How was it working with director Maneesh Sharma in Band Baaja Baaraat vs. Maneesh in Ladies vs. Ricky Bahl?Maneesh is a mad director - he was mad during BBB and he is mad now also. Like me and Ranveer always say he is like a bull - he is like someone who is just so focused and he is so so aggressive towards his work. He has to get the shots right. Sometimes you don’t know what he is thinking but I have realized after BBB that Maneesh is a director one should just surrender yourself as an actor to. I believe that I am a director’s actor. I need a director to get good work out of me and Maneesh is a director who I can completely trust you know ki yeh jiss tarah se visualize kar raha hai who correct hai sahi hai because he sees his script not just on the level of the script but he takes it a little beyond and he always gives it his treatment and always creates something else with the script. Obviously I am sure director Maneesh is more confident with Ladies vs. Ricky Bahl I guess because uski second film hai so somewhere I think there is a little bit of comfort level also because he is working with the same team but having said that I think what I have discovered in this film is that the more I work with director Maneesh, I feel that every actor should surrender himself to a director. Maneesh will take out the best in you. Every character he has treated differently - he has treated Dimple differently, he has treated Saira differently, he has treated Raina differently, he has treated Ishika differently and he has treated Ricky Bahl differently that too with so many looks - so for him he had to really distribute himself into so many areas which he did brilliantly.
Q. Tell us some fun incidents from the Ladies vs. Ricky Bahl shoot.I don’t know about fun but itni chot aaj tak life main mujhe nahi lagi hai jitni mujhe iss film mein lagi hai! Me and Ranveer had fallen off a jet ski you know in the water and I am like that was just such a funny incident for me because I can swim! I am a very good swimmer but when we are on this jet ski and we fall and the jet ski topples and me and Ranveer have fallen inside the water where it’s not so shallow and we are little bit inside and I was flapping in the water. When I reached out on the beach I was thinking why the hell was I flapping as I know how to swim so I realized that when you are in fear … that fear when you feel like you are going to drown you forget that you can swim and I had forgotten that I could swim! So for me like in retrospect I laugh about that - I have been swimming since I was 4 yrs old and today when I fall into the ocean I am flapping my arms, yeh kya ho raha hai yeh kya ho raha hai I am going to die so that was hilarious! I mean that day was a very taxing day on the entire unit - garmi mein shoot kar rahe the aur beach pe the aur sab jal rahe the aur the sun was very harsh and we had to finish the scenes because we had those two days to shoot those scenes and we were doing a lot of important scenes - it was a very hard day and this incident happened so I mean ek baat maine realize ki that even when those days were tough days when I look back I remember that funny moment so I think that’s a good experience to walk out from. Then we have fallen off a scooter also which I was riding so before the shot happens I am telling Ranveer I have done one recee on that land toh bahut dicey situation hai yahan par toh hum girne waale hain. Main vapas aake Ranveer ko bolti hun ki Ranveer we are going to fall and I am telling you main apna weight handle nahi kar paoongi when I am riding and tera toh main bilkul nahi kar paoongi and Ranveer is like lost - he is like nahi nahi its ok we’ll manage and all that so I said theek hai we’ll manage and I am taking his support and thinking we can control it and we have gone and we have fallen! Mujhse knees pe chot aayi, hath pe chot aayi ,like you know elbow pe lagi and Ranveer ke paun pe chot laga…aisa laga ki uska thoda sa scratch aa gaya hai and but when we reached the hospital and we realized that Ranveer has had a bad burn actually, very terrible burn and he was so sick for the next three days almost a week actually and it was a tough time! So I think iss film mein hum itne gire hain but who humko abhi funny lagta hai - now it seems like it’s really funny and it’s like we have genuinely given our sweat and our blood to this film.
Q. What have you learned the most from Ladies vs. Ricky Bahl?I think iss film mein... through this film I have learned a lot - ek bahut zyada learning hui iss film mein on very many levels - kucch personal level pe learn hua hai, kucch professional level pe learn kiya hai, kucch practical levels pe learn kiya hai but I would like to say that iss film mein maine maximum seekha hai and that’s what I remember this film as a very big huge learning experience.
Q. Let’s talk about Jazba which is your introduction song?For me it was very exciting to shoot Jazba because I live in Mumbai and I am from Mumbai and I have never how do I say… I have never experienced Mumbai in such a nice way like I have while shooting Jazba. We have really tried to show every aspect of the city, the essence of the city you know through this song - there are dabbawallahs, we have shot at the railway station in Mumbai which symbolizes the lifeline of the city - basically I feel like this was my first time to experience Mumbai in this way to be captured on film - you know its unforgettable. Jazba is a song that shows the spirit of this girl in a very positive way - that everything in life can be turned into something more optimistic and to just enjoy life and bad moments can also be enjoyed and I think she has this ‘this too shall pass’ attitude. Ishika has a  very positive attitude and she is full of life but at the same time she is street smart and she is bit chaalaak… she is a little bit chaalu but not in a negative way you know so this girl’s spirit, this girl’s energy, this girl’s enthusiasm for life pleasures and adventures that she seeks in life - all this comes through in Jazba.
Q. Tell me something about the dance-a-thon song ‘Fatal Attraction’?
I have had most fun shooting the dance-a-thon in this film. So Fatal Attraction is something that I enjoyed the most while filming - Fatal Attraction was earlier referred to as dance-a-thon in the script - there was just this one line in the script which said dance-a-thon  and we used to keep overlooking it kyunki who shoot nahi hua tha. We knew ki chalo kucch ho raha hai vahan pe and its very very important to the film - it’s the conflict of the film and it’s an important part but when we finally filmed it I realized that that little word in the script is actually so big. If I can say so - that if it’s not there in the film,  there is no film you know. So I think the way the set was decorated – set designer Abid has just done an incredible job with that set… it was supposed to be a sort of like a trance party in Goa with these psychedelic colors and these neon lights and these UV lights and it was just so amazing that just being on that set made you want to party. I was thinking that I am in a party so for three-four days we shot there it was like for a party and the music is so amazing. It’s the best set I have ever seen and I love the music and choreographer Vaibhavi Merchant has very effortlessly made this whole thing and it was just like these are moments that have been captured along with the dance but the balance that she brought about never overpowers the emotion - its so lovely!
Q. Let’s talk about the song Thug Le.
I think Thug Le is a very very thumping pumping number- it’s a great dancing number. It’s  choreographer Shruti Merchant’s debut - you know it’s the  first time she is choreographing  a song and it’s so different – it’s got a very cool attitude with the moves and the song is also sung like that … it’s so boy v/s girl. There is a lot of heat, there is a lot of energy, there is a lot of aggression but yet there is also a lot of flirting so everything has been combined in this song and the set was just so beautiful. It’s like heavy and everything is so larger than life in that song - it’s a great celebration!
Q. Last words…You have seen a lot of rom-com’s but if you are really interested in seeing a rom-con please come and watch Ladies vs. Ricky Bahl releasing on 9th December at a theatre near you!   

खबर फ़िल्मी है (P.R.O.News),

संजय दत्त हुए विनोद बच्चन के मुरीद 

फिल्म 'जिला गाजियाबाद' के सेट पर संजय दत्त इस फिल्म के निर्माता विनोद बच्चन के मुरीद हो गए और उनकी तारीफ में यहाँ तक कह दिया कि 'मैंने अब तक जितने निर्माताओं के साथ काम किया है, उनमे विनोद बच्चन सबसे बेस्ट हैं.' निर्माता विनोद बच्चन इन दिनों सौन्दर्य प्रोडक्सन्स के बैनर तले अपनी अगली फिल्म 'जिला गाजियाबाद' को लेकर व्यस्त हैं, जिसमे संजय दत्त, विवेक ओबेरॉय तथा अरशद वारसी जैसे कलाकार अभिनय कर रहे हैं. अभी हाल ही में संजय दत्त ने इस फिल्म के कुछ एक्शन सिक्वेंस की शूटिंग की और उसके बाद मीडिया के सामने विनोद बच्चन की जमकर तारीफ की. विनोद बच्चन ने बतौर निर्माता इस साल 'तनु वेड्स मनु' जैसी बेहद सफल फिल्म दी है और हाल-फिलहाल 'जिला गाजियाबाद' का निर्माण कर रहे हैं. अभी हाल ही में इस फिल्म का 80 दिनों का शूटिंग शेड्यूल पूरा किया गया.
shashikant singh - (P.R.O.)

नयी उड़ान (New talent),

                                                       राहुल राज पटना का नया चेहरा 


 Persuing- Acting n Modeling, Educational Qualification- B.C.A, Interests- In Modeling n Acting, Hobbies- Listening music, sketching, watching cricket, taking snaps n picture editing.  Aim- Want to be a successful bolllywood actor. Achievement- Became "Mr.Patna2010" n was placed in top 4 in all bihar n jharkand modeling contest "Dev n Diva" on 7th aug,2011.  Height- 6ft. Skin colour- Fair , Eyes colour- brown.  date of birh- 27th nov,1991 . Sex- male , Status- single,  Nationality- Indian.  Objective- I m a very hard labour person n seeking works in glamour industry where i can grow my career day 2 day.
Work Experience- Acted in a upcoming bhojpuri movie "Garib baap ke crorepati beta" . Ad Films- Sarvoday Techno n etc..
contact No. - 09334604147
email Id -   mr.rraj27@rediffmail.com





मूवी रिपोर्ट कार्ड (Film Review)

                                        ये रिक्की बहल तो लड़कियों का दिल नहीं बल्कि पैसे ठगता है.......

बैनर: यशराज फिल्म्स
निर्माता: आदित्य चोपड़ा
निर्देशक : मनीष शर्मा
कलाकार: रणवीर सिंह, अनुष्का शर्मा,परिणिति चोपड़ा, अदिति शर्मा, दीपानिता शर्मा
कहानी : उदय चोपड़ा
पटकथा: देविका भगत
संगीत: सलीम-सुलेमान
छायांकन : असीम मिश्रा , रवि के.चंद्रन
'बैंड बाजा बारात' के बाद फिर एक बार रणवीर और अनुष्का की जोड़ी फिल्म 'लेडिज वर्सेज रिक्की बहल' में धमाल मचाने आ गयी है. यह एक रोमांटिक कॉमेडी फिल्म है जिसे डायरेक्ट किया है मनीष शर्मा ने. कहानी युवाओं को ध्यान में रखकर लिखी गयी है जो यूँ है - रिक्की बहल उर्फ़ रणवीर सिंह एक शातिर ठग है जो अक्सर लड़कियों का दिल नहीं बल्की उनसे पैसे ठगता रहता है. इसी वजह से वह नयी- नयी लड़कियों से दोस्ती करता है, प्यार का नाटक करता है और फिर अंत में उन्हें ठगकर चम्पत हो जाता है. लेकिन जब उसके संपर्क में अनुष्का शर्मा आती है तो कुछ उल्टा ही होता है. अनुष्का रणबीर की सच्चाई पहले ही जान जाती है और फिर वो रणबीर को उसी के अंदाज़ में सबक सिखाती है.
फिल्म का निर्देशन बेहतरीन है और मनीष शर्मा ने 'बैंड बाजा बारात' के बाद फिर एक बार खुद को प्रूफ किया है. उन्होंने दिखा दिया है कि कैसे एक सिंपल सी कहानी को रोचक बनाकर दर्शकों के सामने परोसा जाना चाहिए. फिल्म की कहानी तो कोई खास नहीं है पर पटकथा कसी हुई है, डायलोग भी युवाओं को पसंद आनेवाले हैं. एक्टिंग की बात करें तो रणबीर ने अपनी पिछली फिल्म से ज्यादा बढ़िया काम इस फिल्म में किया है. शायद इस फिल्म के रिलीज़ के बाद रणवीर सिंह का क्रेज लड़कियों में ज्यादा ही बढ़ जाये. अनुष्का लगातार अपने परफोर्मेंस में सुधार करती जा रही हैं. इस फिल्म में भी उन्होंने सहज और बढ़िया अभिनय किया है. वहीँ दूसरी लड़कियों परिणिति चोपड़ा, दीपानिता शर्मा और अदिति शर्मा ने बस ठीक-ठाक अभिनय किया है. इन तीनो में से परिणिति चोपड़ा थोड़ा बेहतर रही हैं. फिल्म में संगीत सलीम-सुलेमान की हिट जोड़ी ने दिया है लेकिन इस बार वो चुक गए. उनके संगीत में वो असर नहीं दिखा जो लम्बे अरसे तक दर्शकों को बांधने में कामयाब हो पाए. एक गाना 'ठग ले' रिलीज़ के पहले ही युवाओं के बीच हिट हो चुका है जो कि पर्दे पर देखने में भी अच्छा लगता है. फिल्म की सिनेमेटोग्राफी अच्छी कही जाएगी. युवाओं को तो यह फिल्म आकर्षित करेगी ही लेकिन अन्य दर्शकों के लिए भी एक बार देखी जा सकती है.

जब हम जवां थें (Memorable Moments)

         शूटिंग के दौरान बाल बाल बचा : स्व.प्यारे मोहन सहाय


मैं मुज्जफारपुर के 'नूर छपरा' गाँव का रहनेवाला हूँ. बी.एन.कॉलेज का मैं विद्यार्थी था लेकिन ग्रेजुएशन बीच में ही छोड़ मुझे नौकरी करनी पड़ी.रेलवे मेल सर्विस में मैं आ गया. बचपन से ही नाटक का शौक था और मैं फुटबाल खिलाड़ी भी था. परिवारवालों को इस बात का शक था कि नाटक या खेल के चक्कर में कहीं मेरा जीवन ना बर्बाद हो जाये. इसलिए परिवार से बांधने के लिए 17 -18 वर्ष की उम्र में ही मेरी शादी कर दी गयी.लेकिन मैं नौकरी के साथ-साथ बराबर नाटकों में भाग लेता रहा. 'आकशवाणी ' का भी आर्टिस्ट बना. 1959 में मैं पटियाला में हो रहे ऑल इंडिया टूर्नामेंट में 'हैमर थ्रो' खेलने गया. लौटते समय मित्रों से मिलने दिल्ली चला गया. उनके कहने पर मैंने एन.एस.डी. संसथान में जाकर आवेदन किया.उनसे इंटरव्यू  में बुलाने का अनुरोध किया. मैंने कहा - " मैं खिलाडी हूँ, मैदान में उतरकर अपना फैसला करना चाहता हूँ." कुछ दिनों बाद मेरा चुनाव हो गया,मुझे स्कॉलरशिप मिल गया.नाटक की पढ़ाई में सम्पूर्ण भारतवर्ष में मेरा दूसरा स्थान आया. सर्वश्रेष्ठ अभिनय के लिए मुझे पुरस्कृत किया गया.मैंने नाटक निर्देशन में विशेषता प्राप्त की.वापस लौटकर मैंने फिर नौकरी ज्वाइन कर ली क्यूंकि पारिवारिक परिस्थितियां पटना से बहार जाने की अनुमति नहीं दे रही थीं. तब पटना में ही जमकर नाटक करना शुरू किया. मौका मिलने पर मैंने प्रकाश झा,श्याम बेनेगल, अनिल शर्मा, मृणाल सेन, रमेश सिप्पी जैसे फिल्मकारों के साथ काम किया.इसी बीच कई भोजपुरी फिल्मों व धारावाहिकों में भी काम किया. 'मुंगेरी लाल के हसीन सपने' धारावाहिक से काफी शोहरत मिली. 
             शुरूआती दिनों में मुझे भी स्ट्रगल करना पड़ा था, उस दरम्यान कई ऐसी घटनाएँ भी घटीं जिसकी मैंने कल्पना नहीं की थी. 1978 की एक घटना मैं सुनाता हूँ. बिहार के कलाकारों द्वारा फिल्म 'कल हमारा है' का निर्माण हुआ जिसमे मुझे खलनायक का किरदार निभाना था. शूटिंग पहाड़ पर की जा रही थी जहाँ लड़ाई के एक दृश्य में मैं घुड़सवारी कर रहा था. तभी तलवार,भाला व बंदूक देख मेरा घोडा भड़क गया और आगे के बजाये पीछे जाने लगा.वह जाकर रुका तो ऐसी जगह जहाँ से नीचे 40 फुट गहरी खायी थी. कैमरामैन चिल्लाया कि, प्यारे भाई को बचाओ. निर्देशक ने शूटिंग रोकी तो घोडा भी रुक गया लेकिन वहां से छः इंच भी पीछे जाता तो खायी में गिर जाता. मृत्यु निश्चित जान मैंने सबको शांत रहने को कहा. सोचा घोड़े से कूद जाऊं पर हिलना भी खतरनाक था. थोड़ी देर बाद सब शांत होने पर निर्देशक ने कहा कि इसी पोजीशन में शूटिंग शुरू करेंगे आप उतरें नहीं. अन्दर ही अन्दर मुझे गुस्सा आया पर मैं  चुप रहा. मैंने होशियारी दिखाते हुए रिकाब से पैर निकल लिया. इश्वर की कृपा से मेरी जान बची. वहीँ एक दृश्य में पेड़ की ऊँची डाली पर भी चढ़वाया गया. आज जब मैं युवा कलाकारों को शॉर्टकट रास्ता अपनाते देखता हूँ तो थोड़ा मायूस होता हूँ. 
प्रस्तुति: राकेश सिंह 'सोनू'